| Dayptopay | Дата: Воскресенье, 06.10.2013, 00:16 | Сообщение # 1 |
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"Fight of the Year" discuss just how the other globe gettings embraced b-boy society, yet exactly how they're no longer viewed as cutting side or cool in the United States.
That worries the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy before hip-hop isn't cool?".
He has to secure his songs, dancing and fashion trend empire by placing American b-boys back on top. He hires an aged dance friend, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to quicken on the existing state of dancing, then sponsor and coach a "all-star team" of the finest of America's finest to tackle the remainder of the world, which has passed America by and long controlled the annual b-boy Olympics called "BOTY," the Battle of the Year.
That team contains various egotistic, chip-on-their-shoulder showoffs, since that's what it requires to do well. Actual superstar dancers such as Do Knock and Flipz are mixed with others, including vocalist Chris Brown.
And assisting coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, director of the definite documentary on the globally sensation, "Planet B-Boy," co-wrote and routed this, and immodestly has characters watch that film and perform its praises. Holloway can not also hint at an actual dance past, so the film fakes that by having his coach operate his people via drills (in split-screen sequences).
Peck, once of T.V's "Drake & Josh," one-time superstar of "The Wackness," has a small, assisting role yet is given leading invoicing. In this instance, that indicates his every scene consists of coiffed and very fabricated close-ups. It's laughable.
Tabloid darling Brown more compared to holds his own with this staff, evidently not even needing a dance double. The dancing settings-- specifically those including groups from Germany, France and Korea-- take the b-boy relocate to the following level.
And there are plenty of simple, undemanding laughs, the very best lines coming from Peck's assistant coach.
"You look like a gazelle available," he applauds his boss. "A gazelle with arthritis." Which, while it does not explain the film, does strike this category right in the bull's eye. After that, the beauty of "Step Up" and all its weary imitators is that the viewers they're shooting for has no suggestion that there have been 20 or 30 films specifically like this one that came before it.
He has to protect his dance, style and popular music empire by placing American b-boys back on best. He works with an old dance buddy, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to speed on the present state of dance, then sponsor and coach a "dream team" of the ideal of America's best to take on the rest of the globe, which gettings passed America by and long dominated the yearly b-boy Olympics understood as "BOTY," the Battle of the Year.
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